ONE ACT PLAYS & MONOLOGUES
by Bruce Kane


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One act plays, , male monologues and female monologues about life's most important subjects... romance, infidelity, emotional masochism, envy, therapy, bad sex, letting go, getting caught, unbridled ambition, baseball, the theatre and, of course... murder.
We are proud to say that our plays and monologues continue to be successfully performed in theatres, play festivals, competitions, schools and colleges across the United States, Europe, Canada, England, Australia, New Zealand, Taiwan, Maylasia, India and South America.
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An excerpt from

“OUT OF THERAPY”
by Bruce Kane

Copyright: Bruce Kane Productions 2006
All Rights Reserved
22448 Bessemer St.
Woodland Hills, CA 91367
PH: 818-999-5639
E-mail: bkane1@socal.rr.com
"Out Of Therapy" is protected by copyright law and may not be performed
without written permission from Bruce Kane Productions. To obtain permission go to
www.kaneprod.com/plays/playscontact.htm and complete the Contact Us Form.

IMPORTANT BILLING AND CREDIT REQUIREMENTS All producers of "Out Of Therapy" must give credit to Bruce Kane as sole Author of the Play in all programs distributed in connection with performance of the Play and in all instances in which the title of the Play appears for any purposes of advertising, publicizing or otherwise exploiting the Play and/or production thereof, including posters, souvenir books, flyers, books and playbills. Bruce Kane must also appear immediately following the title of the Play and must appear in size of type not less then fifty percent of the size of type used for the title. The Author’s name must be equal to or
larger than the Director's, but never smaller than that of the Director. The above billing must appear as follows: "Out Of Therapy" by Bruce Kane.

WARNING No one shall make any changes to this play for the purpose of production. Publication of this plays does not imply its availability for production.

“OUT OF THERAPY”
by Bruce Kane


(Greg and Tanya enter carrying drinks and laughing gaily.)

GREG: How long have we known each other?

TANYA: I don't know... Three, four hours.

GREG: I feel I've known you all my life.

TANYA: Isn't that funny? I was just thinking the same thing.

GREG: There are some people you know all your life and...

TANYA: You never really know them.

GREG: Exactly.

TANYA: My first husband was like that.

GREG: I knew it.

TANYA: Knew what?

GREG: That you'd been married before.

TANYA: You did? How?

GREG: I just knew.

TANYA: You're divorced, aren't you?

GREG: Two years.

TANYA: I knew it the first time I saw you.

GREG: Talk about simpatico.

TANYA: Was your first wife communicative?

GREG: Silent as a tomb.

TANYA: My ex was the same way.

GREG: That's why the marriage failed.

TANYA: To be honest, I wasn't a very open person myself.

GREG: I never would have guessed.

TANYA: It was only through therapy..
.
GREG: That you learned to say what you felt.

TANYA: You too?

GREG: Me too.

TANYA: Somehow I knew that.

GREG: I went into therapy a tightly closed bud and emerged an open flower reaching for the light.

TANYA: That's beautiful.

GREG: I've come to learn that only through complete and open communication can two people have any hope for a deep and lasting relationship.

TANYA: As long as that communication isn't one sided.
GREG: Both people must be able to freely express their thoughts, their needs, their desires...

TANYA: But it must be an honest expression of those needs and desires. No game playing.

GREG: You're a find, if you don't mind my saying so.

TANYA: Not at all.

GREG: Since my divorce, I've dated many women. They seem so protective.

TANYA: Defensive...

GREG: Afraid to say what they want.

TANYA: What they need. It's the same with men.

GREG: I don't mean to sound presumptuous, but I think you and have...

TANYA: A real future together?

GREG: You took the words right out of my mouth.

TANYA: You're an open book.

GREG: Coming from someone as forthright as yourself, that's a real compliment. The truth is I'm not as open as I'd like to be.

TANYA: I feel complimented that you can reveal that to me.

GREG: You see... I want to...

TANYA: The answer is yes.

GREG: But I haven't even asked the question.

TANYA: You want to have sex with me.

GREG: When it comes to open lines of communication, you could write the book.

TANYA: Don't be silly, I was thinking the same thing.

GREG: Actually, I've been thinking it...

TANYA” Since you bought me that second martini.

GREG: My God, are we on the same wave length or what?

TANYA: It's nothing magical really. We're just two open people who refuse to beat around the bush.

GREG: I could kiss you.

TANYA: Why don't you?

GREG: Exactly... Why don't I?

(They kiss)

GREG: I don't know why I was so afraid to even broach the subject of sex. I knew you were going to say "yes."

(Tanya looks up slowly. Her whole demeanor changes from rosy openness to testy and defensive)

TANYA: You did?

GREG: There was no question about it? This is amazing.

TANYA: Yes... Isn't it?

GREG: Oh, I'm never going to let you go.

TANYA: You knew I was going to say "yes"?

GREG: Absolutely.

TANYA: I could've said "no."

GREG: Not a chance. Waiter... Another martini for the lady. No olive this time.

TANYA: How did you know I..?

GREG: Didn't want an olive?

TANYA: I see... The same way you knew I'd say...

GREG: We have something very special here. There is nothing I would not be afraid to tell you. There are things I want to tell you. That I'm dying to tell you. Things I've never told anyone in my entire life.

TANYA: You knew I'd say "yes"?

(The play continues)

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