ONE ACT PLAYS & MONOLOGUES
by Bruce Kane


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One act plays, , male monologues and female monologues about life's most important subjects... romance, infidelity, emotional masochism, envy, therapy, bad sex, letting go, getting caught, unbridled ambition, baseball, the theatre and, of course... murder.
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“UNDER THE BALCONY”
(A One Act Comedy)
by Bruce Kane
with help from W. Shakespeare

"Under The Balcony" is a one act play in which Casanova, fleeing a jealous husband, interrupts Shakespeare's famous "Romeo, Romeo, wherefor art thou, Romeo" scene to seek Romeo's aid in escaping

Copyright: Bruce Kane Productions 2005
All Rights Reserved
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"Under The Balcony" is protected by copyright law and may not be performed without written permission from Bruce Kane Productions. To obtain permission go to www.kaneprod.com/ contact.htm and complete the Contact Us Form.

IMPORTANT BILLING AND CREDIT REQUIREMENTS All producers of "Under The Balcony" must give credit to Bruce Kane as sole Author of the Play in all programs distributed in connection with performance of the Play and in all instances in which the title of the Play appears for any purposes of advertising, publicizing or otherwise exploiting the Play and/or production thereof, including posters, souvenir books, flyers, books and playbills. Bruce Kane must also appear immediately following the title of the Play and must appear in size of type not less then fifty percent of the size of type used for the title.

The Author’s name must be equal to or larger than the Director's, but never smaller than that of the Director. The above billing must appear as follows: "Under The Balcony" by Bruce Kane.


WARNING No one shall make any changes to this play for the purpose of production. Publication of these plays does not imply its availability for production.

(This an excerpt from "Under The Balcony". Click on Download Scripts to purchase the complete script)

“UNDER THE BALCONY”
by Bruce Kane
with help from W. Shakespeare

PLACE: Under Juliet’s Balcony
TIME: After midnight

CHARACTERS:
Romeo
Juliet
Casanova

(Lights up on Romeo pacing anxiously under Juliet’s balcony. Suddenly, a figure in black races across the stage and crashes into Romeo, knocking them both off their feet)

CASANOVA: My apologies, my young lord.

ROMEO: Who art thou?

CASANOVA: (stands) No one of consequence.

ROMEO: (being helped to his feet) Then what is it you seek in this place?

CASANOVA: Exit?. If thou woulds’t be so kind as to point me to the nearest gate.

ROMEO: My direction will do thee no good.

CASANOVA: If it is good direction it will, indeed, do me a great deal of good.

ROMEO: Only if thou art a phantom.

CASANOVA: How so, my young friend?

ROMEO: All gates are locked at the stroke of twelve.

CASANOVA: Then, perhaps, thou woulds’t be so kind as to accompany me to the nearest wall. A leg up and I will disappear into the night as though I were a phantom.

ROMEO: Leave this very place? I cannot.

CASANOVA: Art thou a prisoner?

ROMEO: Only of my lady’s smile.

CASANOVA: Ah… A damsel.

ROMEO: Aye. The fairest eyes have ever gazed upon.

CASANOVA: So here thee stands in darkness, lit only by a pale moon, waiting for a sign, a signal, perhaps, that the husband of the lady in question is otherwise occupied?

ROMEO: Oh no. Tis not so.

CASANOVA: I am truly sorry to hear such.

ROMEO: I would’st not dally with another man’s wife.

CASANOVA: Other men’s wives are the only wives with which one should dally.

ROMEO: And dishonor the bonds of matrimony?

CASANOVA: Never. I honor the bonds of matrimony more than any man thou shal’t make acquaintance of.

ROMEO: I am happy to hear such.

CASANOVA: Without marriage there woulds’t be no married women. And a world without married women would be a sad and empty world indeed.

ROMEO: Indeed.

CASANOVA: A marriage is liketh a beautiful garden, woulds’t thou agree?

ROMEO: Ay, I woulds’t.

CASANOVA: And a garden must be constantly tended, woulds’t thou also agree?

ROMEO: I woulds’t.

CASANOVA: But left to neglect a garden will wither and die.

ROMEO: True.

CASANOVA: And in this age, most husbands, tis sad to behold, pay little attention to the tending of their marriage garden.

ROMEO: Tis sad, indeed.

CASANOVA: If the garden is to blossom into full ripeness, tis the wife, then, who must see to its tender care.

ROMEO: Spoken well.

CASANOVA: So it is only in the service of restoring the bloom to that rose that is the married woman that I enter the garden to plow her neglected furrow.

ROMEO: (circling Casanova) I know thee.

CASANOVA: I fear that is not possible

ROMEO: I have seen thee before.

CASANOVA: I am not of this city.

ROMEO: My friend Mercutio didst point thee out when once we did visit Venice. Thou art Casanova. Mercutio said thou has’t seduced more women than any man in Italy.

CASANOVA: Your friend was wrong.

ROMEO: Was he?

CASANOVA: In limiting my humble achievements to Italy alone.

ROMEO: Mercutio sayeth every man dos’t hate thee.

CASANOVA: Jealousy sometimes doth find expression in anger.

ROMEO: Tis said there is not a woman in all Christendom that trusts thee.

CASANOVA: Indeed.

ROMEO: And this thou freely admit?

CASANOVA: Why dos’t thou think so many extend me invitation to attend them in their boudoir?

ROMEO: Is that what thou art doing here this night? Dallying with another man’s wife?

CASANOVA: No longer, I am sad to report.

ROMEO: Scorned by a woman of strong virtue, no doubt.

CASANOVA: Disturbed by a husband much surprised, no doubt. Which is why I implore thine help in scaling that far wall.

ROMEO: Thou dishonor a woman and expecteth me to aid thy retreat?

CASANOVA: Dishonor? By showing my appreciation of what her husband has so foolishly chosen to ignore? Why, I pay her the highest honor.

ROMEO: Thou art quick of tongue.

CASANOVA: Exactly what the lady sayeth before we were so rudely interrupted.

ROMEO: Thou art carnal and debased.

CASANOVA: Before passing judgment my young Lord, hear me out.

ROMEO: Dos’t I have choice in the matter?

CASANOVA: Thou coulds’t aid my escape and render me speechless.

ROMEO: And miss a glance of my love’s fair visage?

CASANOVA: I will speak quickly as I must make haste. Whilst a woman, young and virginal, sets marriage as the price for the gift of her virtue, a married women has no virtue to make gift of and no need of marriage, thereby making pleasure it’s own reward. Here me well, my young novice. A woman with husband has so much to offer and asks so little in return. Tis a bargain made in heaven.

ROMEO: Or hell.

CASANOVA: Is this be hell, then never let me see heaven.

(A light appears on Juliet’s balcony)

ROMEO: But soft what light through yonder window breaks?

CASANOVA: Excuse me.

(Juliet steps out onto the balcony)

ROMEO: Tis, the east and Juliet is the sun.

CASANOVA: (gazes on Juliet appreciatively) Thou speakest the truth, young lord. Your maiden is fair, indeed. If she was but married, I woulds’t gladly be your rival.

ROMEO: I must speak to her.

CASANOVA: Quiet… Thou must not speak.

ROMEO: How will she know my feelings?

CASANOVA: If thou is to find success with maidens fair, thou must never reveal thy true feelings,

ROMEO: But she must know I love her.

CASANOVA: No… She must only know that she loves thee.

ROMEO: Thy preaching makes no sense.

CASANOVA: When engaging the fairer sex, young lord, take thy satisfaction in harvesting the fruit. Tis not necessary to own the orchard.

ROMEO: Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief,
That thou her maid art far more fair than she:
Be not her maid, since she is envious;
Her vestal livery is but sick and green
And none but fools do wear it; cast it off.
It is my lady, O, it is my love!
O, that she knew she were!

CASANOVA: Wait one minute. Thou art are standing here in the middle of the night, under her balcony and she knows not you are her love?

ROMEO: I was wearing a mask when first we met?

CASANOVA: A mask?

ROMEO: Aye, a mask.

CASANOVA: Good. Tis very good.

ROMEO: Tis?

CASANOVA: Tis.

ROMEO: How so?

CASANOVA: She knows not your face, therefore, when the moment comes, and it will, she cannot slappeth it nor spitteth in it.

(Juliet starts to speak)

ROMEO: She speaks yet she says nothing: what of that?

CASANOVA: Tis what women do. Thou art young, but thou wilt become accustomed.. It falleth under the heading “If thou cared for me, thou coulds’t read my mind”

(The play continues)

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